Govert Flinck enjoyed during his lifetime a higher reputation as Rembrandt himself - so far can his work be read as an exemplary example in terms of change of aesthetic evaluation criteria. Due to its cross-linking in the leading social circles Flinck received extensive portrait commissions, in whose realization he smoothly fathomed the limits of this kind, without however exceeding ever - like his teacher Rembrandt.
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Los Angeles’ Kohn Gallery has picked up Israeli-born, London-based artist Ori Gersht.
Mr. Gersht has become well-known over the past decade for his historically influenced photography and video works that reference the style of Old Master paintings while exploring contemporary issues of violence and trauma. Often his works reflect world events such as World War II or the conflicts in the Middle East.
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The magic of the LA art scene over the last four decades: portraits of artists in their studios by photographer Jim McHugh and a selection of original artworks by these artists. The exhibition is curated by Edward Goldman, Host of KCRW’s “Art Talk.”
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Rosa Loy and Neo Rauch appear to move in a not dissimilar cosmos of imagery and painterly intentions. The difficulty of a coherent interpretation is characteristic of both artistic work. The joining of various content, oddly realistic elements on the part of a fragmented at the same time, but also narratively structured by image inventory is perhaps paradoxically designate as highly calculated Surrealism.
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The Riverside Art Museum welcomes the return of the annual pop surrealist exhibition organized by Bob Self of Baby Tattoo Books, an alternative, underground publishing company based out of Los Angeles.
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Giorgio Morandi and Robert Ryman, "Object/Space" at Kohn Gallery. In an age of shiny objects, this exhibition is quite the opposite, showing the restrained and quiet works of a pair of artists who explored the subtleties of light, shadow and muted tones. The show features Ryman's white paintings and Morandi's tight still-life arrangements.
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Troika will be exhibiting Testing Time in Bread and Jam, a series of exhibitions taking place in a gutted and soon to be refurbished house in 52 Whitbread Road, Brockley, London.
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And the widespread interest in abstract painting continues apace: The eccentrically intimate still lives of Giorgio Morandi are being shown with the incomparable white paintings of Robert Ryman in Object/Space at Kohn Gallery opening September 19.
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Tinte tenui e nature morte che si avvicinano all’arte astratta. Le tele di Giorgio Morandi, a cinquant’anni dalla morte dell’artista continuano ad affascinare il pubblico e ad esercitare influenze sugli artisti contemporanei. Lo dimostra la mostra “Object / Space – Giorgio Morandi e Robert Ryman” realizzata dalla Galleria d’Arte Maggiore G.A.M.
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A cinquant’anni dalla sua scomparsa, l’attività creativa di Giorgio Morandi (1890-1964), continua ad esercitare la propria influenza sugli artisti contemporanei. Ad offrirne un esempio concreto è la mostra “Object / Space - Giorgio Morandi e Robert Ryman” realizzata dalla Galleria d’Arte Maggiore G.A.M. di Bologna in collaborazione con la Kohn Gallery di Los Angeles che, dal 19 settembre al 31 ottobre, metterà a confronto l’opera dei due artisti negli spazi espositivi al 1227 di Highland Avenue.
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The show, including Troika's new sculpture Polar Spectrum, explores the theme of perception, what it is influenced by, its relationship with the concept of truth and the differences between subjective experiences.
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Kohn Gallery has championed West Coast avant-garde artists from its space in Los Angeles for the past thirty years - beginning long before the postwar California art scene was recognized by the art world at large.
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Many of the most influential post-war American art movements are closely tied to the West Coast, despite being written out of the art historical record until very recently. Pop, Light and Space, action painting, assemblage, Minimalism, Conceptualism, and Hard Edge, to name a few, all had roots in California.
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The various practices of Californian artists made their mark in art history and influenced many young artists of today. That is why Kohn gallery in Los Angeles has organized group exhibition of works by some of the best California born or based artist. The West Coast Avant-Garde: 1950 – Present will display works by 12 artists that were carefully selected by Kohn gallery representatives.
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Today’s show: “The West Coast Avant-Garde: 1950-Present” is currently on view at Kohn Gallery in Los Angeles. The group exhibition is a survey of art made in California starting in the mid-1950’s spanning until the present featuring works by Richard Diebenkorn, Ed Ruscha, and Larry Bell to name a few.
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It has been said that a single incident can change a life. For Larry Bell, that moment was, on its surface, quite ordinary. During a break from his studies at Chouinard, the fledgling artist found work at a framing shop in the San Fernando Valley.
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Presenting, an exciting group show spanning generations of California-based artists whose varied practices gave rise to a style that resonates in both art history and younger artists today. Many of the most influential post-war American art movements are closely tied to the West Coast, despite being written out of the art historical record until very recently.
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