Albuquerque is known for her performance art and recently gathered several hundred participants to create a "performative sculpture" titled Spine of the Earth 2012, for the Getty's Pacific Standard Time Performance. She received the Cairo Biennale Prize at the Sixth International Cairo Biennale. Her work is held in the collections of the Metropolitan Museum of Art, the Getty Trust, the Whitney Museum of American Art, LACMA, and MOCA, among others.
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In 20/20: Accelerando, Albuquerque merges film, sound and performance to tell the story of a 25th century female astronaut who lands on Earth in the year 6,000 BC with a mission to seed interstellar consciousness on the planet. Upon entering Earth’s atmosphere, she forgets her mission: “Where was I? And why was I awakening at this moment, on this planet?”
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With a career spanning over 40 years, Lita Albuquerque is a seminal artistic force in her exploration of light and space. This new body of work - exclusive to Kohn Gallery - is a series of pigment paintings and salt installations. The exhibition continues her investigations into space, color, materials and the body.
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For decades, the Los Angeles–based artist Lita Albuquerque has blurred distinctions between Land art and Light and Space on increasingly grander scales, whether it be building installations surrounding the pyramids in Egypt or placing sculptures across Antarctica to mirror the formation of the stars.
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The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art announce a retrospective devoted to Bruce Conner, spanning his 50-year career. BRUCE CONNER: IT’S ALL TRUE is the artist’s first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective.
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"The fair is as busy if not busier than it's ever been," Los Angeles dealer Michael Kohn told artnet News via email. "There are more people, more admirers, a bigger market," he said. Among his sales, Kohn counted works by Lita Albuquerque, two works by Bruce Conner, one Wallace Berman and one Joe Goode, adding that these are "artists who are on their way to rediscovery" for their "historical California-based works."
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Simmons & Burke's newest works at Kohn throb with internal contradiction. Each of the eight huge prints dazzles and daunts. The artists, based in L.A., make their elaborate digital collages with surgical precision and sophistication, but the visual impact of what results has the blunt force of a hammer.
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For centuries, elephants have played a prominent role in Indian society, culture and religion. These exotic mammals are entwined in the traditions of India—woven into the essence of everyday life. Alternately abused and revered, they have been drafted into war, harnessed to work in logging, decorated and paraded in Hindu festivals and worshipped for their connection to Ganesh, an important deity.
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Senior & Shopmaker is pleased to present Bruce Conner & Ed Ruscha: Smoke and Mirrors, an exhibition of graphic works by two towering figures who have occupied the stage in California’s art world and beyond for over fifty years. Immersed in the cultural scenes of the Bay Area and Los Angeles respectively, Conner and Ruscha early on worked across multiple mediums, including film, photography, painting, assemblage, and graphic arts, capturing the ethos of American post-war society. In so doing, they helped define a West Coast aesthetic in visual art. The exhibition includes iconic Conner pieces such as BOMBHEAD and PUFF, which relate to his groundbreaking 1976 film CROSSROADS, as well as prints by Ruscha spanning the last forty-five years.
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For more than four decades, Lita Albuquerque has been on a diversified yet aesthetically and conceptually cohesive mission, making installations, ephemeral environments, performances involving the artist alone or hundreds of participants, large-scale public commissions, paintings, drawings, and sculptures. Born in Santa Monica, she was raised in Tunisia and Paris before returning to California.
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In what feels like an inevitable, predestined union, small, quiet works by Giorgio Morandi and Robert Ryman come together in a vast white room. And yet they are not swallowed. Careful studies, these works dramatize and depict the melodrama that small details within a much larger whole can command.
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Painter Robert Ryman was born in Nashville in 1930. Giorgio Morandi, also a painter, was born in 1890 in Bologna, Italy (he died there in 1964). Ryman paints abstractly, Morandi representationally, but the two share an attraction to a muted palette.
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On Wednesday, October 28, 2015, LAND (Los Angeles Nomadic Division) will host All Souls Eve: an immersive, macabre evening of dinner, cocktails, dancing, and live performances, capped off by silent and live auctions presented exclusively by Artsy. Artist Sue de Beer will be creating portraits on site, and honorees include Chef Craig Thornton aka Wolvesmouth. The gala will take place at the historic Ebell of Los Angeles.
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Ori Gersht was born in Israel in 1967 and lived there until 1988. He then moved to London, where he studied and began practicing photography. His own story and that of his extended family, who originate from Poland and what is now the Ukraine, are woven through with the serial violence and ethnic conflict of the Second World War, the Holocaust, and the fraught history of the state of Israel, which continues to this day.
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For more than four decades, Lita Albuquerque has been on a diversified yet aesthetically and conceptually cohesive mission, making installations, ephemeral environments, performances involving the artist alone or hundreds of participants, large-scale public commissions, paintings, drawings, and sculptures. Born in Santa Monica, she was raised in Tunisia and Paris before returning to California.
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Inspired curatorial efforts are rare these days, so even the idea of pairing still lifes by Giorgio Morandi (1890-1964) with nearly monochrome abstractions by Robert Ryman (b. 1930) excites the imagination.
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Govert Flinck enjoyed during his lifetime a higher reputation as Rembrandt himself - so far can his work be read as an exemplary example in terms of change of aesthetic evaluation criteria. Due to its cross-linking in the leading social circles Flinck received extensive portrait commissions, in whose realization he smoothly fathomed the limits of this kind, without however exceeding ever - like his teacher Rembrandt.
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Los Angeles’ Kohn Gallery has picked up Israeli-born, London-based artist Ori Gersht.
Mr. Gersht has become well-known over the past decade for his historically influenced photography and video works that reference the style of Old Master paintings while exploring contemporary issues of violence and trauma. Often his works reflect world events such as World War II or the conflicts in the Middle East.
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The magic of the LA art scene over the last four decades: portraits of artists in their studios by photographer Jim McHugh and a selection of original artworks by these artists. The exhibition is curated by Edward Goldman, Host of KCRW’s “Art Talk.”
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