New York-based Nir Hod – who delves into the duality of human nature as subject matter for his paintings that are achieved through color palettes and relaxed brushwork, and has had solo exhibitions in the United States, as well as having been in numerous group exhibitions here and abroad – plumbs his own psychological depths only to discover what makes him love work and life.

Nir Hod’s new exhibition at Michael Kohn Gallery, Dorian’s Garden (on view through January 2026), is stunning – in the main gallery room are several large shimmering canvases – flowers appear on the surface of what immediately calls to mind Monet’s paintings of water lilies.

On view at Kohn Gallery is the first West Coast solo exhibition of paintings and sculptures by New York-based artist Nir Hod. Hod is known for creating works—from figuration to abstraction—that have a deeper, fundamental meaning. “By telling the truth through beauty you get away with many things,” says the artist.

Contemporary painting is usually characterized by the specific stylistic orientation of an artist; however, it is not that rare that one’s artistic practice is a mix of different formal and conceptual persuasions. Take for instance the Israeli born, New York-based artist Nir Hod, who manages to express himself through both figuration and abstraction.

With galleries slowly reopening across the Americas, especially in cities where the curve has been flattened, we took a look at the solo shows on view and found a number of exhibitions dealing with concepts of art-making in fresh and exciting ways.

Artist Nir Hod has had his share of opening parties and solo shows, but his latest debut at Kohn Gallery in Los Angeles offers an unveiling like none other. Opening on July 16 and running through the end of August by appointment only, the show entitled, “The Life We Left Behind,” pushes Hod’s work with chrome to new depths.