The Estate of Ed Moses
Ed Moses, Edges, Magmas and Waterfalls
September 18 - October 30, 2021
Gallery 1, 2 & 3
Kohn Gallery is pleased to present Edges, Magmas and Waterfalls the inaugural exhibition of Los Angeles abstract painter, Ed Moses, whose estate the gallery proudly represents. The exhibition will feature historically significant paintings from the estate showcasing works from the “Magma”, “Waterfall”, and “Edge” series.
The late Ed Moses (1926-2018), was a significant figure in the development and history of postwar, abstract painting in Los Angeles. Wielding an eclectic and varied aesthetic style that was constantly evolving, Moses employed a process-based abstraction that operated as a constant mode of discovery and exploration. As a practicing Buddhist, Moses was endlessly intrigued with the metaphysical power of painting- creating works that embraced temporality, process and presence. His visionary approach to painting produced a career that lasted over six decades.
A fixture of the Los Angeles art community, Moses’ first solo exhibition was held at the legendary Ferus Gallery in 1958 while completing his graduate studies at UCLA. At Ferus, Moses would befriend and identify with a generation of “Cool School” artists including Ken Price, Ed Ruscha, Robert Irwin, Craig Kauffman, and Larry Bell whose practices, philosophies, and conversations around art defined the zeitgeist of their era and would influence generations of artists working in Los Angeles from the 1960s to today.
Moses received national and international accolades with his work in the permanent collections of over 40 museums worldwide, including Centre Pompidou, Paris, France; Whitney Museum of Art, New York, NY; Museum of Modern Art, New York, NY; Walker Art Center, Minneapolis, MN; Art Institute of Chicago, Chicago, IL; Los Angeles County Museum of Art, Los Angeles, CA; Hammer Museum, Los Angeles, CA; Philadelphia Museum of Art, Philadelphia, PA; among others. In 1996, the Museum of Contemporary Art, Los Angeles launched a major retrospective of Moses’ career with works made between the years of 1951 to 1996. More recently in 2015, the Los Angeles County Museum of Art presented Ed Moses: Drawings from the 1960s and 70s a major museum exhibition of approximately 100 drawings by the artist.
Ed Moses: Master of Crazy Wisdom
“My thought is that the artist functions in a tribal context, that he is the shaman. When the urban life came in, tribes no longer existed ... but there was still a genetic core of shamans, of magic men, broken loose and genetically floating around. And when they had this gene, they shook the rattles. The shamans were the interpreters of the unknown, they reacted to the unknown with symbols and objects and wall painting. And that’s where it all came from. That’s where I came from, but when you’re a young man you don’t know that.”
-Ed Moses
Video courtesy of Telluride Gallery of Fine Art
Selected Press
Books
Published on the occasion of Ed Moses’s exhibition “Edges | Magmas | Waterfalls” at Kohn Gallery
Softcover
100 pages
Published by Kohn Gallery
About the Artist
In a career that spanned 7 decades, Moses received national and international recognition for his practice, known for its restless intensity and ever-evolving style. Considered one of LA’s most innovative painters and a central figure in the city’s art scene, Moses often referred to himself as a “mutator”, driven less by the desire for self-expression than by an insatiable curiosity to explore and discover. Describing his approach, Moses said, “The rational mind constantly wants to be in charge. The other parts want to fly. My painting is the encounter between the mind’s necessity for control and its yearning to fly, to be free from our ever-confining skull.”
Ed Moses was born on April 9, 1926 in Long Beach, CA. His mother Olivia Branco had just separated from his father Alphonses Moses, and was relocating the family from Hawaii to California. Moses did not initially choose the artistic path. After serving as a surgical technician during World War II, Moses intended to become a doctor. He enrolled in Long Beach City College’s pre-med program, but dropped out, citing his inability to memorize the curriculum. On a whim, he took a life-changing class with artist Pedro Miller, who recognized the spark of untapped talent. Moses changed course and enrolled in UCLA’s MFA program. There he met artist Craig Kauffman who introduced him to the future Ferus Gallery owner Walter Hopps.
Moses had his first exhibition at Ferus Gallery in 1958 while still a graduate student at UCLA. It was at Ferus that Moses would become a member of the raucous group of artists known as the “Cool School”; a group that included Kauffman, Billy Al Bengston, Robert Irwin, Edward Kienholz, Ken Price, Ed Ruscha, Larry Bell, John Altoon and Wallace Berman - all of whom pushed the boundaries of Post War art and shaped the nascent LA art scene at a time when almost none existed. His decades long friendships in the artworld include Frank Gehry, Tony Berlant, Vija Celmins, Alexis Smith, Joe Goode, and James Hayward.
