News

María Berrío - Interview

María Berrío - Interview

To glance at a María Berrío work is to immerse oneself in a multi-textural wonderland, a vivid colorscape where women reign eternal—with cacti around their necks, no less. Berrío’s work, which consists of dreamlike collages of Japanese paper and watercolor, retain a unique concoction of hyper-specific textures that elevate the natural world to its hallucinatory imagination.

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Heidi Hahn - Artillery

Heidi Hahn - Artillery

Heidi Hahn‘s grandly scaled paintings lend iconic status to plain-Jane women going about quotidian routines. Breezily limned in free-flowing brushstrokes and translucent washes, her anonymous characters appear lost in dreamy, meditative worlds even as they shop, sweep, picnic and scroll through their smartphones.

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Heidi Hahn - Curator

Heidi Hahn - Curator

Heidi Hahn (b. 1982, Los Angeles, CA) lives and works in Brooklyn, New York. Hahn received her MFA from Yale University in 2014, and her BFA from Cooper Union in 2006. She is an acting Professor of Painting and Drawing at Alfred University, NY and has been the recipient of several awards, residencies, and fellowships, including the Jerome Foundation Grant; Skowhegan School of Painting and Sculpture Residency, Madison, ME; and the Fine Arts Work Center Residency, Provincetown, MA, among others.

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Maria Berrio - Artnet News

Maria Berrio - Artnet News

Berrio has drawn inspiration from her childhood spent in the countryside surrounding Bogotá, Colombia, and much of her practice addresses immigrant experiences and identities. Her mixed-media artworks on canvas often incorporate multilayered Japanese rice paper. These collages frequently feature centralized female figures, which are painted in watercolor.

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Gonzalo Lebrija - Artnet News

Gonzalo Lebrija - Artnet News

After signing on with Kohn last fall, Mexican artist Lebrija makes his debut at the gallery this year with an ambitious exhibition. On view are paintings from the artist’s signature Veladuras series, which feature layers of muted semi-transparent paint that form prismatic abstractions, as well as a new sculptural work and film installation. Lebrija is not quite as well-known to American audiences as he is in his home country, but hat may be changing soon.

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Jonathan Lyndon Chase - ARTSY

Jonathan Lyndon Chase - ARTSY

Jonathan Lyndon Chase’s paintings sometimes speak to him. They tell him what direction they’d like to take, how heavy the line should be, their color and composition. The figures in his most recent paintings asked him for a little more space. “The paintings were kind of like, ‘Hey, Jon, we need to become bigger,’” he explains. So he went for a much grander scale, responding to their call for “more presence and power” by creating compositions that are nearly 10 by 10.5 feet.

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Rosa Loy @ The Broad

Rosa Loy @ The Broad

Yuval Sharon, founder and director of LA’s The Industry, Broad collection artist Neo Rauch and painter Rosa Loy will discuss their production of Richard Wagner’s “Lohengrin” at the 2018 Bayreuth Festival, which – according to The New York Times – “made Wagner a feminist.”

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Tony Berlant - LA Weekly

Tony Berlant - LA Weekly

"The thing about artists," quips Tony Berlant, "is that they say the work speaks for itself, then they can't stop talking about it!" Well, thank goodness for that, because during our tour of his new exhibition, it turned out Berlant had quite a lot to say about his newest work.

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Jess - Riot Material

Jess - Riot Material

A lifetime-spanning survey of works by Jess (1923-2004) is bound to be a bit meta — because the work that Jess produced across his long career was itself always already a survey of his own life and times. From his earliest paintings in the 1950s to his latter-day collage-based compositions made well into the 1990s, with drawing, sculpture, and video collaborations along the way, Jess was at every moment consciously assembling an archive of his own obsessions.

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Jonathan Lyndon Chase - Artnet

Jonathan Lyndon Chase - Artnet

Jonathan Lyndon Chase, a young Philadelphia-based painter who inventively tackles issues of race, gender, and sexuality in dexterous mixed-media works, has recently achieved rising-star status due to his sensational Los Angeles debut at Kohn Gallery. Collectors can’t seem to get enough of his work.

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Jonathan Lyndon Chase - LA Weekly

Jonathan Lyndon Chase - LA Weekly

Jonathan Lyndon Chase does not paint self-portraits. But in every stroke and atom of his prismatic, distressed and lyrically visceral mixed-media portraits, the artist embodies his own sense of self, both literally and figuratively constructing complex aspects of personal identity right before your eyes.

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Jonathan Lyndon Chase - Los Angeles Times

Jonathan Lyndon Chase - Los Angeles Times

Jonathan Lyndon Chase, “Sheets,” at Kohn Gallery. In ebullient works that meld painting, drawing and collage, Chase explores quotidian moments in the lives of queer black men — sculpturally contorted figures shown in repose, in heated moments of desire and in balletic occasions of joy.

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Jonathan Lyndon Chase - Office

Jonathan Lyndon Chase - Office

The figures of Jonathan Lyndon Chase’s pictures have prepared a performance for us — but we’ve stumbled upon them during rehearsal. Theirs is a dance of shapeshifting voyeurism — they’re not quite ready to be seen but relish in our gaze nonetheless. Caught in a moment of nudity between costume changes, they cast coy glances that are accusatory and inviting at the same time.

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Jonathan Lyndon Chase - Whitehot Magazine

Jonathan Lyndon Chase - Whitehot Magazine

28-year old, Philadelphia-based artist Jonathan Lyndon Chase is everywhere this past year. His mixed media portraits of contorted, sexually-explicit figures drawn from Chase's day-to-day experiences as a queer, non-binary, black artist have made their way into numerous museums and gallery exhibitions across the country.

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Bruce Conner - Lonely Planet

Bruce Conner - Lonely Planet

Most of us might respond to the idea of a nuclear attack by diving under a nearby table. But ever since the first mushroom cloud entered our consciousness, many artists have taken a far more considered approach to the notion of human-triggered annihilation.

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