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DARREN WATERSTON EDUCATION
1988 BFA, Otis Art Institute
1986-87 Academie der Kunst, Berlin, Germany
Fachhochschule fur Kunst, Munster, Germany
SOLO EXHIBITIONS 2008 Michael Kohn Gallery, Los Angeles, CA
Last Days, Greg Kucera Gallery, Seattle, WA
2007 Salon, Michael Kohn Gallery, Los Angeles, CA
Constellations and The Flowering (The Fourfold Sense), Hoffman Gallery of Contemporary Art,
Lewis & Clark College, Portland, OR
Fugue, Inman Gallery, Houston, TX
2006 Was and Is Not and Is to Come, site-specific mural, San Jose Institute of Contemporary Art Hyle, Galerie Jan-Luc & Takako Richard, Paris, France 2005 Turning Back In, Haines Gallery, San Francisco, CA New Paintings, Michael Kohn Gallery, Los Angeles, CA 2004 Notations, Equinox Gallery, Vancouver, BC Delirium, Frist Center for the Visual Arts, Nashville, TN Chimera, Inman Gallery, Houston, TX Thirteen Paintings, Greg Kucera Gallery, Seattle, WA 2003 Darren Waterston: Scapes, Bellevue Art Museum, Bellevue, WA Ghosts, Charles Cowles Gallery, New York, NY Infatuated River, Haines Gallery, San Francisco, CA Works on Paper, Greg Kucera Gallery, Seattle, WA 2002 Works on Paper, Charles Cowles Gallery, New York, NY Equinox Gallery, Vancouver, BC Inman Gallery, Houston, TX Michael Kohn Gallery, Los Angeles, CA Greg Kucera Gallery, Seattle, WA 2001 Charles Cowles Gallery, New York, NY Seven Heavens, Haines, Gallery, San Francisco, CA 2000 Inman Gallery, Houston, TX Kohn Turner Gallery, Los Angeles, CA Lisa Sette Gallery, Scottsdale, AZ Monoprints & Works On Paper, Greg Kucera Gallery, Seattle, WA 1999 Charles Cowles Gallery, New York, NY Greg Kucera Gallery, Seattle, WA In the Reeds and Rushes, Fresno Art Museum, Fresno, CA 1998 Equinox Gallery, Vancouver, BC Haines Gallery, San Francisco, CA Inman Gallery, Houston, TX Kohn Turner Gallery, Los Angeles, CA 1997 Charles Cowles Gallery, New York, NY Equinox Gallery, Vancouver, BC Greg Kucera Gallery, Seattle, WA KOPAC, Seoul, Korea 1996 Greg Kucera Gallery, Seattle, WA Kohn Turner Gallery, Los Angeles, CA 1995 Charles Cowles Gallery, New York, NY Equinox Gallery, Vancouver, BC Greg Kucera Gallery, Seattle, WA Haines Gallery, San Francisco, CA 1994 Jan Baum Gallery, Los Angeles, CA Charles Cowles Gallery, New York, NY 1993 Jan Baum Gallery, Los Angeles, CA Greg Kucera Gallery, Seattle, WA 1992 Jan Baum Gallery, Los Angeles, CA Elegies, Long Beach Museum of Art, Long Beach, CA 1991 Jan Baum Gallery, Los Angeles, CA 1990 Jan Baum Gallery, Los Angeles, CA Fresno Art Museum, Fresno, CA SELECTED GROUP EXHIBITIONS 2008 15 Year Anniversary Exhibition, Gallery 16, San Francisco, CA
The Surrealist Impulse: New Acquisitions from the Tacoma Art Museum Collection,
Tacoma Art Museum, Tacoma, WA
Celebrating Prints: New Acquisitions, Portland Art Museum, Portland, OR
Fresh Impressionism, Seattle Art Museum, Seattle, WA
2007 Animal Rites, David Cunningham Projects, San Francisco, CA
On Paper, Haines Gallery, San Francisco, CA
2006 Altered Image, Equinox Gallery, Vancouver, BC
Natural and Unnatural: Imagining Landscape, Hunterdon Museum of Art, Clinton, NJ
Extreme Abstraction, Galerie Jean-Luc & Takako Richard, Paris, France
Nine Decades of Los Angeles Art, Otis College of Art & Design, Alumni Show,
Los Angeles, CA
2005 Majestic Tapestries of Magnolia Editions: Woven Works by Contemporary Artists,
Bedford Gallery, Walnut Creek, CA
2004 Representing Landscape, The Contemporary Art Center of Virginia, Virginia Beach, VA
The Big Spin, San Francisco Art Institute Faculty Exhibition, San Francisco, CA
Weaving Weft and Warp: Tapestries from Magnolia Editions, San Jose Institute of
Contemporary Art, San Jose, CA
Mindscape, Pavel Zoubok Gallery, New York, NY
2003 Downtown Stomp Around, Inman Gallery, Houston, TX
Darren Waterston & Beatrice Wood: A Personal Alchemy, Bellevue Art Museum,
Bellevue, WA
The Great Drawing Show 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, CA
2002 Fifteen - 15th Anniversary Exhibition, Haines Gallery, San Francisco, CA High Art: Art of the Bank of America Tower, Bank of America Gallery, Seattle, WA Sweet & Wild: Animals in Contemporary Art, Greg Kucera Gallery, Seattle, WA Representing Landscape, University Art Gallery, University of California, San Diego, CA Contemporary American Art, Embassy of U.S.A., Vienna, Austria 2001 2001 Collector’s Show, Arkansas Art Center, Little Rock, AR Amused, Carrie Secrist Gallery, Chicago, IL Fast Forward, Berkeley Art Museum, University of California, CA Selected Paintings from the Microsoft Collection, Microsoft Conference Center, Redmond, WA New Location and Inaugural Exhibition, Michael Kohn Gallery, Los Angeles, CA 2000 Bluer, Carrie Secrist Gallery, Chicago, IL
A Gift of Light and Time, Bank of America Gallery, Seattle, WA
Reconstructions: The Imprint of Nature / The Impact of Science, Sidney Mishkin Gallery,
Baruch College, New York, NY
A Lasting Legacy: Recent Additions to the Collection, Orange County Museum of Art,
Newport Beach, CA
The Next Wave: New Painting in Southern California, California Center for The Arts,
Escondido, CA
10, Inman Gallery, Houston, TX
1999 Charles Cowles Gallery, New York, NY The Great Drawing Show 1550 to 1999, Kohn Turner Gallery, Los Angeles, CA Brushes with Spirituality: Ethereal Paintings, The Noyes Museum, Oceanville, NJ 1999 – 2001 Botanica (Traveling Exhibition), Tweed Museum of Art, University of Minnesota Duluth,
Duluth, MN, curated by Peter F. Spooner; Plains Art Museum, Fargo, ND;
University Galleries, Illinois State University, Normal, IL; Carleton College Art Gallery,
Northfield, MN; Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center,
Eastern Illinois University, Charleston, IL; Chicago Cultural Center, Chicago, IL;
University Gallery, University of Delaware, Newark, DE
1998 A-Z Works on Paper, Charles Cowles Gallery, New York, NY The Winter Show, Charles Cowles Gallery, New York, NY Divining Nature, S.E.C.C.A., Winston-Salem, NC 1997 Distant Bodies, LA Artcore’s Art Bank, Los Angeles, CA
Summer Previews, Equinox Gallery, Vancouver, BC
Out of Eden, The Kemper Museum of Contemporary Art & Design, Kansas City, MO
West Coast Painting and Sculpture 1997, Oceanside Museum of Art, CA
1997 Collector’s Show, The Arkansas Art Center, Little Rock, AR
Contemporary Masters, Greg Kucera Gallery, Seattle, WA
Anatomy of a Print, Dean Lesher Regional Center For The Arts, Bedford Gallery,
Walnut Creek, CA
1996 1996 Collector's Show, The Arkansas Arts Center, Little Rock, AR Summer Show, Charles Cowles Gallery, New York, NY Summer Previews, Equinox Gallery, Vancouver, BC Matters of the Heart, Haines Gallery, San Francisco, CA Master Classes: What Makes a Master?, Greg Kucera Gallery, Seattle, WA 1995 The Traditional Impulse, Greg Kucera Gallery Under Glass, Charles Cowles Gallery, New York, NY, curated by Bill Carroll Metaphors, Pulliam Deffenbaugh Gallery, Portland, OR Terrain, SOMA Gallery, San Diego, CA From Nature, Haines Gallery, San Francisco, CA Previews, Charles Cowles, New York, NY Project Exhibit, Maryland Institute College of Art, Baltimore 1994 The Sacred and The Profane, Jan Baum Gallery, Los Angeles, CA
Peaceable Kingdom, Babcock Galleries, New York, NY
Flora: In Artists Gardens, San Francisco Community Arts, 400 South Hope Street
Associates, Los Angeles, CA
The Art Cup, Garth Clark Gallery, Los Angeles, CA
1993 Stealth, Seafirst Gallery, Seattle, WA
School Days, Jan Baum Gallery, Los Angeles, CA
The Layered Look, Jan Baum Gallery, Los Angeles, CA, curated by Sue Spaid
Thomas Solomon’s Garage, Los Angeles, CA
The Surface of the Sign, University Art Gallery, California State University, Chico, CA
1992 Diane Farris Gallery, Vancouver, BC Art and Nature, Hiram Butler Gallery, Houston, TX 1991 Encaustic, Palo Alto Cultural Center, Palo Alto, CA
LACE Sixth Annual, Los Angeles Contemporary Exhibitions, Los Angeles, CA
The Edge of Night, Muckenthaler Cultural Center, Fullerton, CA, curated by James Reed
HONORS AND AWARDS 2005 Civitella Ranieri Foundation Fellowship, Umbertide, Italy 2004 Richard C. Diebenkorn Teaching Fellowship, San Francisco Art Institute, CA SELECTED COLLECTIONS Bank of America, San Francisco, CA
Berkeley Art Museum, University of California, Berkeley, CA
Campney & Murphy, Vancouver, BC
Contemporary Museum of Honolulu, Honolulu, HI
Department of Navy, Seattle, WA
Duke Energy, Houston, TX
Eli Broad Family Foundation, Santa Monica, CA
Fidelity Corporate Art Collection, Seattle, WA
Fine Arts Museums of San Francisco, San Francisco, CA
Fresno Art Museum, Fresno, CA
Glenbow Museum, Calgary, Alberta, Canada
Goldman Sachs, New York, NY
Hallmark Art Collection, Hallmark Cards Inc., Kansas City, MO
Henry Art Museum, Seattle, WA
J.P. Morgan Chase, New York, NY
KMS Financial Services Corporation, Seattle, WA
Knoxville Museum of Art, Knoxville, TN
Long Beach Museum of Art, Long Beach, CA
Los Angeles County Museum of Art, Los Angeles, CA
Microsoft Corporation, Redmond, WA
Museum of Contemporary Art, San Diego, CA
Nestle Stouffer Corporation, New York, NY
Nordstrom Corporation, Seattle, WA
Oakland Museum of Art, Oakland, CA
Orange County Museum of Art, Newport Beach, CA
Portland Art Museum, Portland, OR
Seattle Art Museum, Seattle, WA
Swedish Hospital, Seattle, WA
Tacoma Art Museum, WA
U.C.L.A. Hammer Museum, Los Angeles, CA
University of Washington Medical Center, Seattle, WA
SELECTED BIBLIOGRAPHY 2008 Sue Taylor, “Darren Waterston at the Hoffman Gallery, Lewis and Clark College,”
Art in America, May, p. 205.
Regina Hackett, “Never fear, painting is here: ‘The Prom’ and ‘Last Days’
crank up the wow factor,” Seattle Post-Intelligencer, January 17.
Tyrus Miller, “Night Flowers: Darren Waterston’s Last Days,” Last Days,
Greg Kucera Gallery, catalog.
2007 D.K Row, “When Mind and Body Meet,” The Oregonian, September 28, pp. 40-41.
Benjamin David, Tyrus Miller, and Linda Tesner, Darren Waterston and Tyrus Miller:
The Flowering (The Fourfold Sense), Ronna and Eric Hoffman Gallery of Contemporary Art,
Lewis & Clark College, catalog.
Jacquelynn Baas, Timothy Anglin Burgard, and David Pagel, Darren Waterston:
Representing the Invisible (monograph), Edizioni Charta, Milan.
Cathy Kimball, “Apocalypse Now”, San Jose Institute of Contemporary Art, catalog.
2006 Michael S. Gant, “End Times,” Metro Silicon Valley, November 29-December 5, p. 69.
Annelena Lobb, “As Art Fairs Multiply, Artists, Galleries, Are Feeling the Pinch,”
Wall Street Journal, October 14.
Paul Young, “Collect,” Variety Weekend, September 15, p. V3.
David Pagel, Galerie Jean-Luc and Takako Richard, catalog.
2005 Alison Bing, “Darren Waterston and Jim Toia at Haines Gallery,” Artweek,
July/August, p. 12.
Holly Myers, “Abstraction brings many rich rewards,” The Los Angeles Times, March 25.
2004 Katie Kurtz, “Liminal Landscapes: Known and Unknown Worlds,” The Stranger,
October, Vol 14 No. 5.
Lloyd Dykk, “Making Carmina,” Vancouver Sun, April 17.
Paul Gardner, ARTnews, March, p. 130.
Melissa Kuntz, “Darren Waterston at Charles Cowles,” Art in America, June/July, p. 178.
Amy Larocca, “White Noise,” New York, April 12, p. 46.
Robin Laurence, “Botany and Beauty Coalesce,” Straight.com, April 29.
2003 Kenneth Baker, “Waterston moves toward union of mental and physical,”
San Francisco Chronicle, February 15, p. D12.
Jacquelynn Baas, “Material, Immaterial: Waterston’s Ghosts,” Charles Cowles Gallery,
catalog.
Madhu Puri, “Change of Seasons,” Art and Auction, February, p. 56.
Judy Wagonfeld, “A transforming alchemy links shows at BAM,”
Seattle Post-Intelligencer, February 7, p. 16.
Alison Bing, “Darren Waterston,” SF Gate Art Review, January 24.
“Q & A with Darren Waterston,” Inside, Bellevue Art Museum, Winter Issue.
Glen Helfand, “Darren Waterston: The artist’s alchemy in San Francisco,”
Western Interiors and Design, July/August, pp. 97-100.
2002 Sheila Farr, Visual Arts Exhibit Reviews, The Seattle Times, May 3. Emily Hall, “In the Primordial Soup,” The Stranger, April 25. Donald Kuspit, “Darren Waterston, Charles Cowles Gallery,” Art Forum, February. “Working Proof”, Art on Paper, September/October, p. 89. 2001 Benjamin Weissman, “Story of Waterston,” Darren Waterston (monograph),
St. Ann’s Press, Los Angeles.
“Portrait of the Artist,” Gentlemen’s Quarterly, April.
Megan Wilson, “Seven Heavens,” San Francisco Bay Guardian, January 24.
2000 Tim Burton, Kohn Turner Gallery, catalog.
Carmine Iannaccone, “An Anatomy of Beguilement: Style in the Work of Darren Waterston,”
Kohn Turner Gallery, catalog.
David Pagel, The Los Angeles Times, review, July 14.
“Kohn Turner Gallery, Darren Waterston: New Work,” Southern California’s Business
and Entertainment Magazine, July/August.
Collin Hutchison, “Darren Waterston, Inman Gallery”, review, Art Lies, Winter, p. 75.
1999 Robin Updike, “Dallying with Orientalism, Darren Waterston samples the Victorian
fixation with an imaginary and fantastical Far East,” Seattle Times, March 1.
Regina Hackett, “Darren Waterston’s fairies are rotting in high style,”
Seattle-Post Intelligencer, March 23.
David Hale, “The Arts,” The Fresno Bee, October 26.
Ken Johnson, “Art Reviews,” The New York Times, November 5.
David Ebony, "David Ebony's Top Ten; Darren Waterston at Charles Cowles,"
artnet.com, October 28.
Eric Fredericksen, “Swamp Fairies,” The Stranger, March 11-17, p. 65.
“Darren Waterston, Goings on About Town,” The New Yorker, November 1.
Peter Clothier, “In the Reeds and the Rushes,” The Fresno Art Museum, catalog.
1998 Amy Karafin, ARTnews, January, p. 132, 134. Michael Scott, “Visual Arts,” The Vancouver Sun, December. 1997 Michael Scott, “Visual Arts,” The Vancouver Sun, March 15.
Regina Hackett, Art Review, Seattle Post-Intelligencer, June 20, p. 23.
Noriko Gamblin, “Darren Waterston,” Charles Cowles Gallery, catalog.
1996 Valerie Gladstone, ARTnews, June, p. 149.
Martha Schwendener, Art in America, November, p. 119.
Susan Kendel, The Los Angeles Times, October 11, p. F28.
Robin Updike, “Artist Darren Waterston gives 19th century sensibilities asurprising twist,”
The Seattle Times, October 24.
1995 Martha Schwendener, Flash Art, March/April. Robin Updike, The Seattle Times, April 20. Michael Scott, The Vancouver Sun, Visual Arts section, September 23. Greg Burkman, “Dark Ideals,” The Stranger, April 19. 1994 Art & Antiques, Review, October. 1993 Loch Adam, Reflex Art Journal, November/December, p. 14. Deloris Tarzan Ament, “Art Reviews,” The Seattle Times, September 8. Architectural Digest, September 1993, cover reproduction Marge Bulmer, Art Scene, May, p. 13. Daniel Pichbeck, Art and Antiques, May, p. 21. Regina Hackett, “Art Reviews,” Seattle Post-Intelligencer, September 10. David Pagel, Calendar Section, Los Angeles Times, May 27. 1992 David A. Green, Art Issues, September/October, p. 46.
Susan Kendal, “Art Reviews,” The Los Angeles Times, June 11, p. F5.
Bill Lazerow, Art Scene, May, p. 21.
Kinney Littlefield, The Los Angeles Times, Calendar Section, Long Beach Edition,
March 3.
Noriko Gamblin, “Elegies,” Long Beach Museum of Art, catalog.
1991 Artscene, February, Vol. 10, No. 6.
Peter Frank, “Art Pick of the Week,” L.A. Weekly, June 5, p. 108.
Margaret Lazzari, New Art Examiner, May, p. 52.
Kristine McKenna, Los Angeles Times, Calendar Section, January 8, pp. F21-22.
1990 Robert Barrett, Visions Art Quarterly, Winter Issue, p. 50. Cathy Curtis, The Los Angeles Times, January 12. David Hale, The Fresno Bee, November 4 |