Jonathan Lyndon Chase, a young Philadelphia-based painter who inventively tackles issues of race, gender, and sexuality in dexterous mixed-media works, has recently achieved rising-star status due to his sensational Los Angeles debut at Kohn Gallery. Collectors can’t seem to get enough of his work.Read More
There’s a lot going on in Jonathan Lyndon Chase’s chaotic paintings of gay black men, often in sexual congress. They capture the inchoate feelings of intertwining oneself with another body, but they also reflect a raw engagement with fragmented facets of gender, racial and sexual identity.Read More
Jonathan Lyndon Chase does not paint self-portraits. But in every stroke and atom of his prismatic, distressed and lyrically visceral mixed-media portraits, the artist embodies his own sense of self, both literally and figuratively constructing complex aspects of personal identity right before your eyes.Read More
Coinciding with his new exhibition, Sheets, at Los Angeles’ Kohn Gallery, queer artist Jonathan Lyndon Chase has shared some of his evocative pieces with Out. Using base sheets as a canvas for many of the show’s works, Chase explains how our beds are central to our lives in that we begin and end our day in them, and how they act as a play on words for him representing the fabric of society and spatial reality.Read More
For his new exhibition, artist Jonathan Lyndon Chase uses bedsheets to relay an “ever-changing and evolving” message about race, gender and sexuality.Read More
Jonathan Lyndon Chase, “Sheets,” at Kohn Gallery. In ebullient works that meld painting, drawing and collage, Chase explores quotidian moments in the lives of queer black men — sculpturally contorted figures shown in repose, in heated moments of desire and in balletic occasions of joy.Read More
The figures of Jonathan Lyndon Chase’s pictures have prepared a performance for us — but we’ve stumbled upon them during rehearsal. Theirs is a dance of shapeshifting voyeurism — they’re not quite ready to be seen but relish in our gaze nonetheless. Caught in a moment of nudity between costume changes, they cast coy glances that are accusatory and inviting at the same time.Read More
28-year old, Philadelphia-based artist Jonathan Lyndon Chase is everywhere this past year. His mixed media portraits of contorted, sexually-explicit figures drawn from Chase's day-to-day experiences as a queer, non-binary, black artist have made their way into numerous museums and gallery exhibitions across the country.Read More
I bet Hudson would have liked the work of Jonathan Lyndon Chase, a young painter (born in 1989) who works out of his family home in PhiladelphiaRead More
I was introduced to Company Gallery through Troy Michie — the brilliant collagist featured in GAYLETTER Issue 8. His very first solo show — Fat Cat Came To Play — was picked up by the gallery soon after some of his collages found themselves on exhibition in the New Museum’s well-received Trigger: Gender As a Tool and a Weapon.Read More
RECLAMATION! PAN-AFRICAN WORKS FROM THE BETH RUDIN DEWOODY COLLECTION
SATURDAY, MARCH 03, 2018 - SUNDAY, SEPTEMBER 02, 2018
The Taubman Museum of Art is pleased to present Reclamation! Pan-African Works from the Beth Rudin DeWoody Collection that features over one hundred works from various media highlighting the global migration of peoples across the world.
The exhibiting artists create work that investigates the universal conversation of migration, history, race and representation in art being made today. The exhibition captures the personal stories and collective histories of artists reflected through installations, videos, paintings and sculptures.
Drawn from DeWoody’s significant contemporary African diaspora collection, it features world renowned artists such as Willie Cole, Hank Willis Thomas, Kerry James Marshall, Kara Walker, Romare Bearden, Kehinde Wiley, Sanford Biggers, Nathaniel Mary Quinn, and Yinka Shonibare MBE (RA) among others working in a broad reach of media and conceptual approaches.
Presenting nearly 100 significant examples from her collection, the exhibition aims to represent artists whose work references ownership of their own home countries while developing narratives that embrace global histories.
Since the orange warlock was elected in 2016, we charmed ones, the othered, have been on the verge: of radical and outward protest, of retaliation to this violent and highly visible era of toxic white masculinity.Read More
ARTILLERY BEST IN SHOW 2017
Moving well past a theme dominant in recent contemporary fine (and popular) art, Friedman’s brilliantly curated (and gorgeous) show of painting saw us through to a deeper, more complex and nuanced—and richly generative—consideration of identity in the 21st century
What are the contours of gender? Is there a range of conditions that determine gender along a curve or spectrum we can visualize or somehow represent, measure or analyze? Is there a focal point we can identify that will turn it in one direction or another?Read More
Engender, a group exhibition curated by Joshua Friedman at Michael Kohn Gallery, represents an amalgam of familiar visual tropes, albeit shattered ones. Ideas about identity, sexuality and personal choice are brought to the fore in this stunning line up that includes the likes of Nicole Eisenman, Hernan Bas, Jansson Stegner and many others.Read More
The construct of what makes us male and female is perhaps one of the most obdurate that we as a society face. More often than not, in our need to make comfortable our understanding of things not simply defined, we seek to classify in extremes, simplifying what should be a delightful spectrum into simplistic, unthreatening terms of black and white.Read More
Before Kohn had fully installed its exhibition of paintings that address the fluidity of gender, collectors had already bought 70% of its contents. Of the 17 artists in the show, buyers came hungry for the names Loie Hollowell, Jesse Mockrin, Tschabalala Self, Jansson Stegner, Emily Mae Smith and Christina Quarles.Read More
As Hollywood continues to reckon with widespread allegations of sexual assault and toxic masculinity, L.A.’s art scene has offered some solace in the form of the binary-smashing exhibit “Engender.” The show, which opened at Kohn Gallery this weekend, attracted a tide of progressive arts patrons, including actress and survivor Rose McGowan, who is currently leading the charge against Harvey Weinstein and gendered power dynamics in the industry.Read More
“Engender” is a group exhibition featuring seventeen contemporary artists who are revolutionizing the way one visualizes conventional gender as exclusively male or female. Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity.Read More