This week, Jonathan Lyndon Chase debuted a series of new paintings at the Rubell Family Collection (RFC) in Miami. The works are part of the space’s annual “New Acquisitions” exhibition, and a result of the artist’s participation in a 2018 off-site RFC residency. Last week, Whitewall visited Lyndon Chase in his new Philadelphia studio to talk about making his largest works yet and what he’s showing in Kohn Gallery’s booth at Art Basel in Miami Beach.Read More
At just 28 years old, Jonathan Lyndon Chase is already a star. The Philadelphia-based painter thoughtfully engages with issues of race, gender, and sexuality in inventive mixed-media works, rooted in his identity as a queer black man in America.Read More
Jonathan Lyndon Chase’s paintings sometimes speak to him. They tell him what direction they’d like to take, how heavy the line should be, their color and composition. The figures in his most recent paintings asked him for a little more space. “The paintings were kind of like, ‘Hey, Jon, we need to become bigger,’” he explains. So he went for a much grander scale, responding to their call for “more presence and power” by creating compositions that are nearly 10 by 10.5 feet.Read More
From eight centuries of the art now called Surrealist to startling new takes on assemblage from Port-au-Prince, our critic finds a heady mix of old and modern, sex and politics in these powerhouse gallery shows.Read More
Secret Gay Box features over fifteen artists who have navigated their sexuality through artistic expression. Like Wolf’s childhood box, this space will be one where art hides in plain sight, even where people might not think to look. The space itself as well as the artworks in it embrace the creativity that it can take to effectively conceal oneself, but also the beauty that can occur in freedom from whatever ‘box’ one might have. All humans have their own “secret gay box”, either conscious or subconscious. This show, the artists represented, and the act of creating a personal art collection are a way to simultaneously fill the box or open it for those around you.Read More
Lectures and Book Signings
Painting and Representation
October 21 at 2:00
East Building Auditorium
Tim Doud, artist; professor, department of art, American University; cofounder, ‘sindikit; and cofounder, STABLE; in conversation with artists Jonathan Lyndon Chase and Louis Fratino
Jonathan Lyndon Chase envisions sex with a novel mixture of the carnal and tender. 4 number 8’s on a rainy day (2017) is a drawing portraying a dreamlike orgy with human figure eight forms in a vaguely defined room, their faces expressing various stages of pleasure.Read More
Jonathan Lyndon Chase, a young Philadelphia-based painter who inventively tackles issues of race, gender, and sexuality in dexterous mixed-media works, has recently achieved rising-star status due to his sensational Los Angeles debut at Kohn Gallery. Collectors can’t seem to get enough of his work.Read More
There’s a lot going on in Jonathan Lyndon Chase’s chaotic paintings of gay black men, often in sexual congress. They capture the inchoate feelings of intertwining oneself with another body, but they also reflect a raw engagement with fragmented facets of gender, racial and sexual identity.Read More
Jonathan Lyndon Chase does not paint self-portraits. But in every stroke and atom of his prismatic, distressed and lyrically visceral mixed-media portraits, the artist embodies his own sense of self, both literally and figuratively constructing complex aspects of personal identity right before your eyes.Read More
Coinciding with his new exhibition, Sheets, at Los Angeles’ Kohn Gallery, queer artist Jonathan Lyndon Chase has shared some of his evocative pieces with Out. Using base sheets as a canvas for many of the show’s works, Chase explains how our beds are central to our lives in that we begin and end our day in them, and how they act as a play on words for him representing the fabric of society and spatial reality.Read More
For his new exhibition, artist Jonathan Lyndon Chase uses bedsheets to relay an “ever-changing and evolving” message about race, gender and sexuality.Read More
Jonathan Lyndon Chase, “Sheets,” at Kohn Gallery. In ebullient works that meld painting, drawing and collage, Chase explores quotidian moments in the lives of queer black men — sculpturally contorted figures shown in repose, in heated moments of desire and in balletic occasions of joy.Read More
The figures of Jonathan Lyndon Chase’s pictures have prepared a performance for us — but we’ve stumbled upon them during rehearsal. Theirs is a dance of shapeshifting voyeurism — they’re not quite ready to be seen but relish in our gaze nonetheless. Caught in a moment of nudity between costume changes, they cast coy glances that are accusatory and inviting at the same time.Read More
28-year old, Philadelphia-based artist Jonathan Lyndon Chase is everywhere this past year. His mixed media portraits of contorted, sexually-explicit figures drawn from Chase's day-to-day experiences as a queer, non-binary, black artist have made their way into numerous museums and gallery exhibitions across the country.Read More
I bet Hudson would have liked the work of Jonathan Lyndon Chase, a young painter (born in 1989) who works out of his family home in PhiladelphiaRead More
I was introduced to Company Gallery through Troy Michie — the brilliant collagist featured in GAYLETTER Issue 8. His very first solo show — Fat Cat Came To Play — was picked up by the gallery soon after some of his collages found themselves on exhibition in the New Museum’s well-received Trigger: Gender As a Tool and a Weapon.Read More
RECLAMATION! PAN-AFRICAN WORKS FROM THE BETH RUDIN DEWOODY COLLECTION
SATURDAY, MARCH 03, 2018 - SUNDAY, SEPTEMBER 02, 2018
The Taubman Museum of Art is pleased to present Reclamation! Pan-African Works from the Beth Rudin DeWoody Collection that features over one hundred works from various media highlighting the global migration of peoples across the world.
The exhibiting artists create work that investigates the universal conversation of migration, history, race and representation in art being made today. The exhibition captures the personal stories and collective histories of artists reflected through installations, videos, paintings and sculptures.
Drawn from DeWoody’s significant contemporary African diaspora collection, it features world renowned artists such as Willie Cole, Hank Willis Thomas, Kerry James Marshall, Kara Walker, Romare Bearden, Kehinde Wiley, Sanford Biggers, Nathaniel Mary Quinn, and Yinka Shonibare MBE (RA) among others working in a broad reach of media and conceptual approaches.
Presenting nearly 100 significant examples from her collection, the exhibition aims to represent artists whose work references ownership of their own home countries while developing narratives that embrace global histories.
Since the orange warlock was elected in 2016, we charmed ones, the othered, have been on the verge: of radical and outward protest, of retaliation to this violent and highly visible era of toxic white masculinity.Read More