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MARK INNERST
BORN
1957 York, Pennsylvania
EDUCATION
1980 B.F.A., Kutztown, Pennsylvania
SOLO EXHIBITIONS
2005 Michael Kohn Gallery, Los Angeles, CA
Munson Williams Proctor Arts
Institute, Utica, NY
2004 John Berggruen Gallery, San Francisco, CA
2003 Paul Kasmin Gallery, New York, NY
2002 Paul Kasmin Gallery, New York, NY2001 Michael Kohn Gallery, Los
Angeles, CA
2000 Paul Kasmin Gallery, New York
1999 John Beggruen Gallery, San Francisco, CA
1997 Kohn Turner Gallery, Los Angeles, CA
1996 Curt Marcus Gallery, New York
Faggionato Fine Arts,
London (catalogue)
1994 Curt Marcus Gallery, New York
Kohn Turner Gallery, Los Angeles
1993 John Berggruen Gallery, San Francisco, CA
1992 Curt Marcus Gallery, New York
1991 Michael Kohn Gallery, Santa Monica, CA (catalogue)
1990 Curt Marcus Gallery, New York
1989 Contemporary Arts Museum, Houston, TX
Folker Skulima Gallery, Berlin, Germany
The Nelson-Atkins Museum of Art, Kansas City, MO
1988 Curt Marcus Gallery, New York
"Mark Innerst: Landscape and Beyond," Illinois State University,
Normal, IL;
Wright State University, Dayton, OH; Contemporary Arts Museum, Houston,TX;
Museum of Contemporary Art, Chicago, IL
1987 Galerie Montenay, Paris, France
1986 Curt Marcus Gallery, New York
1985 Robert Fraser Gallery, London
1984 Grace Borgenicht Gallery, New York
1982 The Kitchen, New York
GROUP EXHIBITIONS
2003 “A Way with Words,” John Berggruen Gallery, San Francisco,
CA
“The American
Landscape,” Paul Kasmin Gallery, NY
2001 “Summer 2001,” Paul Kasmin Gallery, New York
2000 “Bluer,” Carrie Secrist Gallery, Chicago, IL
1999
Art at Work: Forty Years of the Chase Manhattan Collection, Museum of
Fine Arts, Contemporary Arts Museum, Houston, TX
"Green Woods and Crystal Waters; The American Landscape Tradition
Since 1950," The Philbrook Museum of Art, Tulsa Oklahoma (traveling)
"The Great Drawing Show, 1550 - 1999," Kohn Turner Gallery,
Los Angeles, CA
"Encyclopedia," Turner & Runyon, Dallas, TX
"Water," Gibbs Museum of Art, Charleston, SC; traveling to
Mobile Museum of Art, Mobile, AL; Leigh Yawkey Woodson Art Museum, Wausau,
WI; Art Museum of South Texas, Corpus Christi, TX
1998 "Earth Water Air, Eight Contemporary Painters," DC Moore
Gallery, New York
"Over the Mantle, Over the Couch," Tricia Collins Contemporary
Arts, New York
"Landscapes," Meyerson & Nowinski, Seattle, WA
1997 "Landscape: The Pastoral to the Urban, " Center for Curatorial
Studies, Bard College, Annandale-on-Hudson
"Aerial Perspectives," DC Moore Gallery, New York; traveled
to Miami Dade Community College, Miami, FL
"Gallery Group Exhibition," Curt Marcus Gallery, New York
1996 "Destiny Manifest: American Landscape Painting in the Nineties,"
Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida
"Realism After Seven A.M.: Realist Painting After Edward Hopper,"
curates by Richard Milazzo, The Hopper House, Nyack, New York
"Changing Horizons: Landscape in the Eve of the Millennium,"
curated by George G. King, Katonah Museum of Art, Katonah, NY (catalogue)
"Works on Paper," Curt Marcus Gallery, New York
1995 "Group Exhibition," Curt Marcus Gallery, New York
"Twenty Fifth Anniversary Exhibition," John Berggruen Gallery,
San Francisco
"Americana," The Grand Salon, New York
"American Art Today: Night Paintings," The Art Museum, Florida
University, Miami
1994 "A Distant View," Worcester Art Museum, Worcester, MA
"The Long View - Works from the Collection," Museum of Modern
Art, New York
"Changing Views," Feigen Incorporated, Chicago
"Painting," Rhona Hoffman Gallery, Chicago
1993 "Medium Messages," Wooster Gardens, New York, curated
by Vik Muniz
"Four Centuries of Drawing 1593-1993," Kohn Abrams Gallery,
Los Angeles
"Landscapes," The Greenberg Gallery, St. Louis, MO
"Timely and Timeless," Aldridge Museum of Contemporary Art,
Ridgefield, CT, curated by Doug Maxwell
"Group Exhibition," Curt Marcus Gallery, New York
Galerie Volker Diehl, Berlin, Germany (Innerst/David Deutsch)
"Mark Innerst, Richard Pettibone," Galerie Montenay, Paris
1992 "Magical Mystical Landscapes," Renee Fotouhi Fine Art
East, East Hampton, NY
"Contemporary Icons from the Sublime to the Fetishistic,"
Bertha and Karl Leubsdorf Art Gallery, Hunter College, NY
"Group Show," Sharadin Art Gallery, Kutztown University, Kutztown,
PA (catalogue)
"Group Exhibition," Curt Marcus Gallery, New York
"Quotations: The Second History of Art," Aldrich Museum of
Contemporary Art, Ridgefield, CT (catalogue)
"The Map Is Not the Territory," Rosenwald-Wolf Gallery, Philadelphia
College of Art and Design, Philadelphia, PA
1991 "Refiguring Nature," Modern Art Museum of Fort Worth,
Texas
"Strange Vistas, Imagined Histories," The Portland Art Museum,
Portland, OR
"Group Exhibition," Curt Marcus Gallery, New York
1990 "The Last Decade: American Artists of the 80's," curated
by Collins and Milazzo; Tony Shafrazi Gallery, New York
Greenberg Gallery, St. Louis, MO
1989 "The Unconventional Landscape," John Michael Kohler Arts
Center, Sheboygan, WI
"Nature Morte," Galerie Montenay, Paris
"Selections from the Collection of Mark and Livia Strauss,"
The Aldrich Museum of Contemporary Art, Ridgefield, CT
"Les Etats Generaux," Galerie Montenay, Paris
"The Observatory," Thomas Solomon's Garage, Los Angeles, curated
by Douglas Blau
"Biennial Exhibition," Whitney Museum of American Art, New
York
"Landscape Re-Viewed: Contemporary Reflections on a Traditional
Theme," Walker Art Center, Minneapolis, MN
"A Different Slant of Light," Dayton Art Institute, OH, curated
by Naomi Vine
"300 Years in Still Life," Michael Kohn Gallery, Los Angeles
Daniel Weinberg Gallery, Los Angeles
"Landscape," Betsy Rosenfield Gallery, Chicago, IL
1988 "Das Licht von der Anderen Seite," Monika Spruth Gallery,
Cologne, Germany
Michael Kohn Gallery, Los Angeles
Curt Marcus Gallery, New York
"Visions/Revisions: Contemporary Representation," Marlborough
Gallery, NY, curated by Sam Hunter (catalogue)
1987 "Between Abstraction and Reality," curated by James Ropiequet
Schmidt, Greenberg Gallery, St. Louis, MO
"Still Life: Beyond Tradition," , Visual Arts Museum, New
York, curated by Lisa Dennison
"Invitational,"New Britain Museum of American Art, New Britain,
CT
"The New Romantic Landscape," Whitney Museum of American Art,
Stamford, CT "Fictions," Curt Marcus Gallery & Kent Fine
Art, New York, curated by Douglas Blau
1986 "42nd International Art Exposition," Venice Biennale,
Venice, Italy
"Au Couer du Maelstrom," Societe des Expositions du Palais
des Beaux Arts, Brussels, Belgium
"The Barry Lowen Collection," Museum of Contemporary Art,
Los Angeles
"The American Landscape," Eliot Smith Gallery, St. Louis,
MO
"Landscape in the Age of Anxiety," Lehman College Art Gallery,
CUNY , Bronx, New York
"Spiritual America," curated by Collins and Milazzo, CEPA,
Buffalo, NY
"Still Life/Life Still," Michael Kohn Gallery, Los Angeles
1985 "Inaugural Exhibition," Curt Marcus Gallery, New York
"Watercolor," Luhring, Augustine & Hodes Gallery, New
York
"Scapes," University Art Museum, Santa Barbara, CA; The Art
Gallery, University of Hawaii, Honolulu, HI
"New Horizons in American Art," Exxon National Exhibition,
Guggenheim Museum, New York
"Nueva Pintura Narrative: Coleccion del Metropolitan Museum of
Art, Nueva York," Museo Rufino Tamayo, Mexico City, Mexico
"Kitchen Benefit," Brooke Alexander Gallery, New York
GMHC Benefit Auction, Sotheby's, New York
Benefit, Daniel Weinberg Gallery, Los Angeles
"Actual Size,," Larry Gagosian Gallery, Los Angeles
"American Paintings 1978-1985, Selections from the Aaron and Phyllis
Katz Collection," Aspen Art Museum, Aspen, CO
"Real Surreal," Lorence Monk Gallery, New York, curated by
William S. Lieberman
1984 "Contemporary Perspectives," Bucknell University, Lewisburg,
PA
"Currents," Institute of Contemporary Art, Boston, MA
"An International Survey of Recent Painting and Sculpture,"
Museum of Modern Art, New York, NY
"Narrative Painting, Selected Recent Acquisitions from the Metropolitan
Museum of Art," Ft. Lauderdale Museum of Art, FL
"New Landscape Paintings," Palazzio Ducale, Gubbio, Italy
"New Narrative Painting," Tamayo Museum, Mexico City, Mexico
"Newscapes, Land and City /States of Mind, " One Penn Plaza,
New York, NY
"The Innovative Landscape," Holly Solomon, New York, NY
"Drawings After Photography," Independent Curators, Inc.,
two-year traveling exhibition
"An Exhibition of New Painting and Sculpture from the Lower East,"
Larry Gagosian Gallery, Los Angeles, CA
"Natural Genre," Florida State University, Tallahassee, FL
"Civilization and Landscape of Discontent," Nature Morte,
New York, NY
"Little Paintings," Jeffrey Hoffeld Gallery, New York, NY
"Paintings and Sculpture Today 1984," Indianapolis Museum
of Art, IN
1983 "Selections," Artists Space, New York, NY
"Otherviews," Semaphore Gallery, New York, NY
"Invitational Exhibition," Grace Borgenicht Gallery, New York,
NY
"Benefit Show," The Kitchen, New York, NY
1982 "Reallife Magazine," White Columns, New York, NY
"New Drawing in America," The Drawing Center, New York, NY;
The Suttonn Place Museum, London; Galeria d'Arte Moderno Dico'ca, Pisano,
Italy
1981 "Downtown/Uptown," The City Gallery, New York, NY
"Selection 15," The Drawing Center, New York, NY
"Fictive Victims," Hallwalls, Buffalo, New York, NY (catalogue)
PUBLIC COLLECTIONS
Albright Knox Museum, Buffalo, New York
Brooklyn Museum, New York Chase Manhattan Bank, N.A.
Solomon R. Guggenheim Museum, New York
Indianapolis Museum of Art, Indiana
Los Angeles County Museum of Art, California
Metropolitan Museum of Art, New York
Museum of Contemporary Art, The Barry Lowen Collection, Los Angeles,
California
Museum of Contemporary Art, San Diego, California
Museum of Modern Art, New York
Museum of Contemporary Art, Chicago, Illinois
BIBLIOGRAPHY
1998 Iannaccone, Carmine, "Mark Innerst," Art Issues, January/February,
pp. 38
Weil Rex, "Heaven in Earth," Artnews, March , p. 150-152.
1997 Ollman, Leah, "Los Angeles Times, November 14, F22
1996 Dalton, Jennifer, "Mark Innerst at Curt Marcus," Review,
November 1, pp. 13
Chambers, Karen, " Mark Innerst at Curt Marcus," Review, November
1, pp. 12
Vines, Naomi, "Changing Horizons: Landscape on the Eve of the Millennium,"
( catalogue), Katonah Museum of Art, Katonah,NY
1995 Hoving, Thomas, "Art for the Ages," Cigar Aficionado,
Vol. 3, No. 4, Summer
Kohen, Helen, "Talent in the Dark: Artists Shine with Paintings
of Night," The Miami Herald, Saturday, January 21
Richard Vine, "Mark Innerst at Curt Marcus," Art in America,
March 1995, No. 3, pp.106-107.
1994 Nigrosh, Leon, " The New Land, " The Worchester Phoenix,
November
Melrod, George, "What's Old Is New," Art & Antiques, October,
vol. XVII No. 6, pp. 36
Pagel, David, "The Little Princess Frame a Breakthrough,"
Los Angeles Times, April 29, pp.F18
1993 Rosenblum, Robert, "Art: Contemporary Romantic Landscapes,"
Architectural Digest, Vol. 50, No. 5, May, pp. 192-95,230
1992 Braff, Phyllis, "Outdoor Views That Prove Unnerving,"
Art Review, The New York Times, Sunday, December 6, 1992
Knobler, Nathan and Frank Galuszka, The Map Is Not The Territory, (exhibition
brochure), Rosenwald-Wolf Gallery, Philadelphia College of Arts &
Design, Philadelphia, PA
Rosenberg, Barry, Quotations: The Second History of Art, (exhibition
catalogue), The Aldrich Museum of Contemporary Art, Ridgefield, CT
Schwartzman, Alan, "Mark Innerst," The New Yorker, November
2, 1992, p. 21
1991 Interview Magazine, Artist Project, "Apples." Vol. 21,
No. 9, September 1991, p.21
The International Economy, March/April 1991, p. 14, reproduction of
The Marketplace, 1990
De Vuono, Frances, "Mark Innerst," (Review), Artnews, Feb.
1991, p. 136
McKEnna Kristine, "Painted into a Corner," Los Angeles Times
Calendar, Jan 13, p. 9
McKenna, Kristine, "Review," Los Angeles, Times, Jan 29, p.
F5
1990 Brant, Frederick R., Harmony and Discord: American Landscape Painting
Today (exhibition catalogue), Virginia Museum of Fine Arts, Virginia
Denger, Patricia, "Work of 3 Young Artists Reflects on History
as Artifact," St. Louis Post Dispatch, April 22, p. 4E
Freeman, Phyllis, New Art, New York: Harry N. Abrams
Holst, Lise, "Mark Innerst at Curt Marcus," (Review), Art
in America, December, p. 17.
Kernan, Michael, " A New Generation of Artists Ponder Nature's
Prospects," Smithsonian, April, pp. 104-111
Pincus-Witten, Robert and Collins and Millazo, THE LAST DECADE American
Artists of the 80's, (exhibition catalogue), Tony Shafrazi Gallery,
New York, NY
Rosenblum, Robert, Mark Innerst Paintings and Works on Paper, (exhibition
catalogue), Curt Marcus Gallery, New York, NY; Michael Kohn Gallery,
Santa Monica, CA
1989 Artner, Alan, "Forsaking Fashion," Chicago Tribune, June
18, pp. 22-23
Edinburgh, Joyce, "The Art of an Inward-Looking Soul," Daily
Record, June 18
Glueck, Grace, "The New Romantics Paint the Past," New York
Times Magazine, September 10, pp. 44, 64-65
Grachos, Louis, Richard Martin and John Stringer, Romance and Irony
in Recent American Art, (exhibition catalogue), Art Gallery of Western
Australia, Perth
Mark Innerst, (exhibition catalogue), Galerie Folker Skulima, Berlin,
Germany
Knight, Christopher, "A Photographic Observatory," Los Angeles
Herald Examiner, Friday, June 16, p. 34
Larson, Kay, "Boomtown Hype," New York Magazine, June 17,
pp. 46-47
McCracken, David, "Innerst Employs the Past Without Nostalgia,"
Chicago Tribune, July 14 Selections from the Collection of Mark and
Livia Strauss, (exhibition catalogue), The Aldrich Museum of Contemporary
Art, Ridgefield, CT
Vine, Naomi, A Certain Slant of Light, (exhibition catalogue), The Dayton
Art Institute, Dayton, Ohio
1988 Blinderman, Barry and Barry Rosenberg, Mark Innerst: Landscape
and Beyond, (exhibition catalogue), Illinois State University, Normal,
IL
Eisler, Colin, "Cabin Fever," Interview Magazine, December,
pp. 108-110
Gipe, Lawrence, "Challenging the Established Paradigms," Artweek
, February 20, p. 5
Haus, Mary Ellen, "The Unnatural Landscape," Artnews, January,
pp. 129-132
Martin, Richard, "Framed in the Prodigality of Nature: The New
Painting of Mark Innerst," Arts Magazine, January, pp. 86-91
Mc Guigan, Cathleen, "Transforming the Landscape," Newsweek,
December 26, pp. 60-62
1987 Bushyeager, Peter, "The Sky's the Limit for Mark Innerst's
Firmament Heavy Yet Intellectually Earthbound Paintings," The New
Manhattan Review, January 7, p. 26
Combes, Chantal and Doroshenko, Peter, The New Romantic Landscape, (exhibition
catalogue), Whitney Museum of American Art, Stamford, CT
Cotter, Holland, Review, Art in America, February, pp. 142-43
Grimes, Nancy, Art News, February, pp. 136-37
Horton, Chris, "New Britain Museum of American Art, " New
Britain, CT
Joselit, David, "Milani, Innerst, Tansey," Flash Art, May,
pp. 100-101
Klein, Ellen Lee, Arts Magazine, January, p. 122
Saltz, Jerry, Beyond Boundaries, Alfred van der Marck Editions, New
York
Smith, Roberta, "Fictions, Views from the Future and Past,"
The New York Times,
December 11, p. C30
Raynor, Vivien, "New Romantic Landscape at the Stamford Whitney,"
The New York Times, Sunday New England Section, July 19
1986 Brenson, Michael, The New York Times, November 21, p. C26
DuBois, Daniel, 1987 Invitational, (exhibition catalogue), New Britain
Museum of American Art, New Britain, CT
Gendel, Milton, "The 42nd Biennale: The Art of Alchemy," Art
in America, October, pp. 27- 35
Gierlandt, K.J., Catalogue, Palais des Beaux Arts, Brussels, Belgium
Indiana, Gary, "Venice as Usual," The Village Voice, August
5, p. 78
Knight, Christopher, The Barry Lowen Collection, (exhibition catalogue),
Museum of Contemporary Art, Los Angeles, CA
Larson, Kay, "The Real, the Irreal and the Ugly," New York
Magazine, November 24,
pp. 72-76
Martin, Richard, "The Romance of the Vista," Arts Magazine,
November, p. 34-35.
Olander, William, Drawing After Photography, (exhibition catalogue),
Independent
Curators, Inc.
Robinson, William, "New New York," New Art Examiner, June,
p. 54
Smith, Roberta, "The Manor in Landscape," The New York Times,
December 12, p. C26
Sundell, Nina Castelli, Landscape in the Age of Anxiety, (exhibition
catalogue), Lehman College, Bronx, New York, NY
1985 Bell, Jane, "New Horizons in American Art," Artnews,
November, pp. 152-153
Brenson, Michael, "Art 'New w Horizons'," The New York Times,
September 20, p. C21
Dennison, Lisa, New Horizons in American Art, (exhibition catalogue),
Exxon National Exhibition, Solomon R. Guggenheim Museum, New York, NY
Gibson, Eric, "Dim Horizons at the Guggenheim," The New Criterion,
November, p. 62-65
Henry, Gerritt, Review (Borgenricht show), Art in America, April, pp.
204-205
Hughes, Robert, "Careerism and Hype Amidst the Image Haze,"
Time Magazine, June 17 Kohn, Michael, Flash Art, January, p. 45
_____., "Romantic Vision," Flash Art, January, pp. 56-60
Larson, Kay, "Boomtown Hype- and Real Quality," New York Magazine,
Vol. 18, No, 24, June 17, pp. 46-47
_____. "The Met's Modern Movement," New York Magazine, August
26
Levin, Kim, "Voice Choice," Village Voice, October 1
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Museum of Art, Nueva York, Museo Rufino Tamayo, Mexico City, Mexico
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at Guggenheim," York Daily Record, October 8, Section C
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October 16
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21
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_____., "Santa Barbara Show Features Landscapes with a Fresh Bloom,"
San Diego Union, December 5
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University of California, Santa Barbara
Sofer, Ken, Artnews, January, p. 150
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September 15
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Science Monitor, October 7 1984 Blinderman, Barry, Contemporary Perspectives,
1984, ( exhibition catalogue), Bucknell University, Lewisburg, PA
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Florida State University, Tallahassee, FL
_____., Forced Sentiment, (exhibition catalogue), Artists Space, New
York, NY
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Arts Magazine, Summer,
p. 40
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Indianapolis Museum of Art, Indianapolis, IN
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Art, Boston, MA,
September
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Summer, p. 62-64
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(exhibition catalogue), Museum of Modern Art, New York, NY
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159-160
1984 Olander, William and Susan Sollins, Drawing After Photography,
(exhibition catalogue), Independent Curators, Inc., New York, NY
1983 Milazzo, Richard, Wedge, Vol. 3 and 4, November
"Painters and Writers," Bomb Magazine, January
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The Drawing Center, New York, NY
Kuspit, Donald, "New Drawing in America," Artforum, April,
p. 83
Levin, Kim, "Art Pix," Village Voice, May
1981 Smith, Valerie, Fictive Victims, Hallwalls, Buffalo, New York
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