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BRUCE CONNER
BORN:
1933 McPherson, Kansas
EDUCATION:
1956 B.F.A., Nebraska University
1956 Brooklyn Museum Art School
1957 University of Colorado
SOLO EXHIBITIONS:
2007 Bruce Conner PUNK (1978) DEAD ASHES (1997), EVE-RAY-FOREVER (1965/2006) Michael Kohn Gallery, Los Angeles, CA (October 20 - November 24, 2007)
2007 Bruce Conner Works Paule Anglim, San Francisco, CA (October 31 – November 24, 2007)
2007 Bruce Conner WORKS ON PAPER 1961 to 2005, Susan Inglett, New York, NY (October 18 – November 17, 2007
2007 Art Basel/Art Unlimited, exhibited by Michael Kohn Gallery
2006 Bruce Conner Engraving Collages, 1961 -1990, Kohn Hutter Fine Art, Beverly Hills, CA (April 7 – May 6, 2006). BRUCE CONNER, Miyake Fine Art, Tokyo, Japan (March 18 – April 15, 2006).
2005 Bruce Conner, Gallery Paule Anglim, San Francisco, CA, (October 11 – November 19, 2005).
Bruce Conner, Smith Anderson Gallery, Palo Alto, CA, (October 7 – November 9, 2005)
Bruce Conner: Punk Photos: 1978, LUKE (DVD): 2004, Barbara Gladstone Gallery, New York, NY, (December 16 – January 29, 2005)
2004 BRUCE CONNER, Susan Inglett, New York
Bruce Conner and Company, Michael Kohn Gallery, Los Angeles
Tapestries, Bruce Company, Michael Kohn Gallery, Los Angeles
2003 The Dennis Hopper One Man Show Vol. II, Susan Inglett, New York
2002 Bruce Conner. DVD presentation of 8 films by Bruce Conner. Other
artworks by Anonymous, ANON, Anon. And Anonymouse. Michael Kohn Gallery,
Los Angeles
2002 B.C., Gallery Paule Anglim, San Francisco
Bruce Conner, Collages 1966-1996, Alan Koppel Gallery, Chicago
Bruce Conner, Itaglio Prints. Illus. For "The Ballad of Lemon &
Crow" by Glenn Todd. Arion Press Gallery, Presidio, San Francisco
Bruce Conner, Photography. Punk Rock photos 1977 – 78, Photo collages
and other photographic works including DVD 2002 B.C., Photography Fair,
Javitz Center, NY. Barbara Gladstone Gallery, NY.
2001 BRUCE CONNER, Susan Inglett, New York
2000 Bruce Conner : Early Assemblages and Recent Inkblot Drawings,
Kohn Turner Gallery, Los Angeles, CA
Bruce Conner, Gallery Paule Anglim, San Francisco, CA, June 2000
Bruce Conner: Wood Engraving Collages 1961-1996, Susan Inglett, New
York, NY
Dead Punks and Ashes, Curt Marcus Gallery, New York, NY
Asynchronous snapping of the Synapses: Permanent Collection Works by
Bruce Conner, de Saisset Museum, Santa Clara University, Santa Clara,
CA
2000 B.C.: The Bruce Conner Story Part II, Museum of Contemporary Art,
Los Angeles, CA, October 2000
2000 B.C.: The Bruce Conner Story Part II, M.H. deYoung Memorial Museum,
San Francisco, CA, May, 2000
2000 B.C.: The Bruce Conner Story Part II, Modern Art Museum of Fort
Worth,
Fort Worth, TX, February, 2000
1999 2000 B.C.: The Bruce Conner Story Part II, Walker Art Center,
Minneapolis, MN, October, 1999
Looking for Mushrooms, Bruce Conner Drawings 1960-1968, Kohn Turner
Gallery, Los Angeles, CA, March 1999
1998 Bruce Conner, Curt Marcus Gallery, New York, NY
1997 Fearful Symmetry: Inkblot Drawings and Engraving Collages, Kohn
Turner Gallery, Los Angeles, CA
Bruce Conner: Engraving Collages, Wichita Art Museum, Wichita, Kansas
1996 Elite Novelties: Salon Art of the Nineties, Thirteen Engraving
Collages by Bruce Conner, Smith-Andersen Gallery, Palo Alto, CA
1995 Bruce Conner: 15 Beautiful Mysteries, Kohn Turner Gallery, Los
Angeles; Prints and Multiples, I.C. Editions, New York
Curt Marcus Gallery, New York
GROUP EXHIBITIONS:
2006 ROUGH TRADE, Michael Kohn Gallery, Los Angeles, CA
Majestic Tapestries of Magnolia Editions: Woven Work by Contemporary Painters, Bedford Gallery, Walnut Creek, CA (November 30, 2005 – January 29th, 2006).
Cut, The Approach, London, UK. (November 24th 2005 – January 29, 2006).
Art of Engagement, Jack Rutberg Fine Art, Los Angeles, CA (November 11, 2005 – January 31, 2006).
2005 Thank you for the Music: interfaces between visual arts and music, Sprüth Magers, Munich, Germany (November 24, 2005 – February 11, 2006).20th Century Master Drawings and Works on Paper, Miyake Fine Art, Tokyo, Japan. Art of Engagement, Jack Rutberg Fine Arts, Los Angeles, CA, (November 11 – December 21, 2005)
Majestic Tapestries of Magnolia Editions: Woven Works by Contemporary Painters, Bedford Gallery, Walnut Creek, CA (November 30 – January 29, 2006)
SEMINA CULTURE: WALLACE BERMAN AND HIS CIRCLE, Santa Monica Museum of Art, Santa Monica, CA, (September 17 – November 26, 2005)
Building & Breaking the Grid, 1962- 2002, Whitney Museum of American Art, New York, NY (September 1, 2005 – January 8, 2006)
Assemblage and Collage in California in the 1960’s, 871 Fine Arts, San Francisco, CA, (June 16 – August 31, 2005).
Wilder: A Tribute to Nicholas Wider Gallery Los Angeles, 1965 -1979, Franklin Parrasch Gallery, New York, NY (April 22 – May 27 – 2005) Magnolia Editions Tapestries, Jay Jay (Gallery), Sacramento, CA, (January 5 – February 19, 2005)
2004 The Last Picture Show, UCLA Hammer Museum, Los Angeles, CA
Newer Genres: Twenty Years of the Rutgers Archive for Printmaking-Studios,
Rutgers University, New Brunswick, NJ
2003 Recent Acquisitions: Works on Paper, Metropolitan Museum of Art,
NY
The Great Drawing Show, 1550 – 2003 A.D., Michael Kohn Gallery,
Los Angeles
Cut, Copy, Paste: The Art of Contemporary Collage, de Saisset Museum,
Santa Clara University, Santa Clara, CA
Sculpture, Michael Kohn Gallery, Los Angeles
Site and Insight: an assemblage of Artists, P.S.1 Contemporary Art Center,
NY
Several Exceptionally Good Recently Acquired Pictures, Fraenkel Gallery,
San Francisco, CA
Stranger in the Village, The Museum of Modern Art, New York, NY
Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
2002 Self-Medicated, Michael Kohn Gallery, Los Angeles, CA
No War, Luggage Store, San Francisco, CA
Unknown Quantity, Fondation Cartier pour l’art contemporain, Paris
Ferus, Gagosian Gallery, New York
Sunday Afternoon, 303gallery, New York
Escape from the Vault: The Conemporary Museum’s Collection Breaks
Out, The Contemporary Museum, Honolulu, Hawaii
Walk Around Time: Selections from the Permanent Collections. Walker
Art Center, Minneapolis, MN
177th Annual Exhibition: An Invitational Exhibition, The National Academy
of Design , New York, NY
My Marilyn (Min Marilyn), Liljevalchs, Stockholm, Sweden.
California Art from the Frederick R. Weisman Art Foundation, Frederick
R. Weisman Museum of Art, Pepperdine University, Malibu , CA
Some Assembly Required: Collage Culture in Post-War America, Everson
Museum of Art, Syracuse, NY
Editions & Artists Book Fair 2002, Starett Lehigh Building, NY,
I.C. Editions Exhibit
De Kooning to Today: Highlights from the Permanent Collection, Whitney
Museum of American Art, New York
A Silent Poetry, Timothy Taylor Gallery, London
New to the Modern: Recent Acquisitions from the Department of Drawings,
Museum Of Modern Art, NYC
2001 Obsessions, University Art Gallery, UCSD, San Diego
The Universe; Creation, Constellations and the Cosmos, Norton Simon
Museum, Pasadena, CA,
Group Exhibition, Curt Marcus Gallery, New York, January 11-February
2001.
THE IMPORTANCE OF BEING EARNEST, Occidental College,
Art History and the Visual Arts, Weingart Galleries, Los Angeles California
Mind Fields, Wake Forest University Art Gallery, Winston-Salem, N.C.
LES ANNEES POP, Musee national d’art moderne, Centre Pompidou,
Paris, France.
Early Drawing: Bruce Conner, Agnes Denes and Alan Saret, Curt Marcus
Gallery, New York,
Inaugural Exhibition, Group show, Michael Kohn Gallery, Los Angeles,
CA
About Objects, Museum of Art, Rhode Island School of Design, Providence,
R.I.
I Love N.Y. Art Benefit, Curt Marcus Gallery, New York
Recent Acquisitions of Contemporary California Works on Paper, Legion
of Honor Art Museum, San Francisco
2000 Cross-Currents in Modern Art: A Tribute to Peter Selz, Achim Moeller
Fine Art, New York, NY
Tamarind: Forty Years, University of New Mexico Art Museum
Celebrating Modern Art: Highlights of the Anderson Collection, San Francisco
Museum of Modern Art, San Francisco, CA
The New Frontier. Art and Television 1960-65, Austin Museum of Art,
Austin, TX
Juvenilia: Checking Out Youth and Art, Yerba Buena Center for the Arts,
San Francisco, CA
1999 The American Century, Art & Culture 1900-2000, Whitney Museum
of American Art, New York, NY
The Art of Collaborative Printmaking: Smith Andersen Editions, de Saisset
Museum, Santa Clara Museum, Santa Clara University, Santa Clara, CA
Homage to the San Francisco Art Institute, Hackett Freedman Gallery,
San Francisco, CA
Group Exhibition, Curt Marcus Gallery, New York, NY
Impressing the Body, University Gallery, University of Massechuttes,
Amherst,MA
Meaning and Message: Contemporary Art from the Museum Collection, Oakland
Museum of California, Oakland, CA
Second Impressions, Meaning and Message in Contemporary Art, Oakland
Museum of California, Oakland, CA
The Great Drawing Show: 1550 to 1999, Kohn Turner Gallery, Los Angeles,
CA
Pattern, James Graham & Sons, New York, NY
Drawn from Artists' Collections, The Drawing Center, New York, NY
Radical Past: Contemporary Art & Music in Pasadena, 1960 - 1974,
Norton Simon Museum of Art, Pasadena, CA
1997 Biennial 1997, Whitney Museum of American Art, New York
Scene of the Crime. Armand Hammer Museum, Los Angeles
Bruce Conner and Barbara Ess, Curt Marcus Gallery, New York
Media in Media, Soros Center for Contemporary Arts, Ljubjana, Slovenia
1996 Art and Film, Museum of Contemporary Art, Los Angeles (Travels)
Beat Culture and the New America: 1950-1965, San Francisco Museum of
Modern Art, San Francisco, CA
Bruce Conner and Dennis Hopper, Paula Anglim Gallery, San Francisco,
CA
1995 Beat Culture and the New America: 1950-1965, Whitney Museum of
American Art, New York
The Rational World, Kohn Turner Gallery, Los Angeles, CA
A Bay Area Connection: Works from the Anderson Collection, Triton Museum
of Art, Santa Clara, CA
1968 SMS, I.C. Editions, Inc., New York
Sight/Vision: The Urban Milieu, Gallery Paule Anglim, San Francisco,
CA
1994 Drawn in the 70’s, Brook Alexander Gallery, New York
BIBLIOGRAPHY – SELECTED:
CATALOGS (SOLO):
Bruce Conner: Twenty Two Inkblot Drawings, 1991-1999, Introduction
by Michael Kohn, Los Angeles, CA: Kohn Turner Gallery, 2000
Celebrating Modern Art: Highlights of the Anderson Collection, San Francisco,
CA:
SFMOMA, 2000
2000 B.C.: The Bruce Conner Story Part II, Minneapolis, MN: Walker Art
Center, 2000
Schwabsky, Barry, Bruce Conner Drawings, Vol. I, 1960-1968, LA, CA:
Kohn Turner Gallery, 1999
Dean, Robert and Dennis Hopper. Bruce Conner: Assemblages, Paintings,
Drawings, Engraving Collages, Los Angeles: Michael Kohn Gallery, 1990
Bruce Conner: Matrix/Berkeley 102, Berkeley: University Art Museum,
1987
Bruce Conner: Photograms, San Francisco: Art Museum Association of America,
1985
Bruce Conner Drawings 1955-1972, San Francisco: The Fine Arts Museums
of San Francisco
Bruce Conner Prints, Palo Alto, CA: Smith-Andersen Gallery, 1974
Bruce Conner: Sculpture/Assemblages/Collages/Drawings/Films, Philadelphia:
Institute of Contemporary Art, University of Pennsylvania, 1967
Bruce Conner, Waltham, MA: Poses Institute of Fine Arts, Brandeis University,
1965
Bruce Conner, London: Robert Fraser Gallery, 1964
Bruce Conner: San Francisco Art Institute Nealie Sullivan Award Exhibition,
San Francisco: SFAI, 1963
CATALOGS (GROUP):
Some Assembly Required: Collage Culture in Post-War America, Catalog
organized by Everson Museum. 2002, 92 pgs. Illus. Pg 44-45 = Triptych,
1964. Conner mentioned pgs. 13, 22-23, 31.
American Visionaries, Selections from the Whitney Museum of American
Art Abrams Distribution of Whiney Museum publication, 2002. 336 pgs.
Page 77 with illustration of "Portrait of Allen Ginsberg".
Unknown Quantity, Paul Virilio: Catalog for Exhibition at Fondation
pour l’art contemporain, 226 pgs. Thames & Hudson. Illus.
= CROSSROADS and A MOVIE photo of underwater Atomic Bomb Test at Bikini
Atoll.
L’Image En Mouvement: 25 ans d’activite pou la defense du
cinema comme art visuel. Archives du Film Experimental D’Avignon.
2003 189 pages. Illus. Of A MOVIE and REPORT. Documentation of programming.
Reading California: Art, Image and Identity, 1900-2000. Los Angeles
County Art Museum, University of California Press. "Shocking ‘Beat’
Art Displayed": California Artists and the Beat Image", John
P. Bowles, Pgs 21-247. "The Art of Political Engagement",
Peter Selz, Pgs 342, 343 = commentary on Child Sculpture
Ayres, Anne. Forty Years of California Assemblage, Los Angeles, CA:
Wright Art Gallery, University of California, Los Angeles, 1989
The "Junk" Aesthetic: Assemblage of the 1950s and Early 1960s,
New York: Whitney Museum of American Art, 1989
Armstrong, Elizabeth, and Sheila McGuire. First Impressions: Early Prints
by Forty-Six Contemporary Artists, Minneapolis: Walker Art Center; New
York: Hudson Hills Press, 1989
Starr, Sandra Leonard. Lost and Found in California: Four Decades of
Assemblage Art, Santa Monica, CA: James Corcoran Gallery, 1988
Selections from the Permanent Collection, La Jolla, CA: La Jolla Museum
of Contemporary Art, 1988
Gettings, Frank. Different Drummers, Washington, D.C.: Hirshhorn Museum
and Sculpture Garden, 1988
Stich, Sidra. Made in U.S.A., Berkeley: University of California Press,
1987
Europa/America: die Geschichte einer kunstlerischen Faszination seit
1940, Cologne: Museum Ludwig,1986
Extending the Perimeters of Twentieth-Century Photography, San Francisco:
San Francisco Museum of Modern Art, 1985
Komanecky, Michael, and Virginia Fabbri Butera. The Folding Image: Screens
by Artists of Nineteenth and Twentieth Century, New Haven: Yale University
Art Gallery, 1984
1983 Biennial Exhibition, New York: Whitney Museum of American Art,
1983
Hills, Patricia, and Roberta K. Tarbell. The Figurative Tradition and
the Whitney Museum of American Art: Paintings and Sculpture from the
Permanent Collection, New York: Whitney Museum of American Art, 1980
1979 Biennial Exhibition, New York: Whitney Museum of American Art,
1979
Aspekte der 60er Jahre: aus der Sammlung Reinhard Onnasch, Berlin: Nationalgalerie,
1978
Paris-New York, Paris: Centre Georges Pompidou, 1977
Improbable Furniture, Philadelphia: Institute of Contemporary Art, University
of Pennsylvania, 1977
Dillenberger, Jane, and John Dillenberger. Perceptions of the Spirit
in Twentieth-Century American Art, Indianapolis: Indianapolis Museum
of Art, 1977
The Last Time I Saw Ferus, Newport Beach, CA: Newport Harbor Art Museum,
1976
Sculpture: American Directions, 1945-1975, Washington, D.C.: National
Collection of Fine Arts, Smithsonian Institution, 1975
Menace, Chicago: Museum of Contemporary Art, 1975
Art as a Muscular Principle, South Hadley, MA: Mount Holyoke College,
1975
Poets of the Cities: New York and San Francisco, 1950-1965, New York:
Dutton for the Dallas Museum of Fine Arts, 1974
The Artist as Adversary, New York: Museum of Modern Art, 1971
Crown Point Press, San Francisco: San Francisco Art Institute, 1972
Kompas 4/Westkust USA, Eindhoven: Stedelijk van Abbemuseum, 1969
Doty, Robert. Human Concern/Personal Torment, New York: Whitney Museum
of American Art, 1969
Assemblage in California: Works from the Late 50's and Early 60's, Irvine:
University of California,1968
Tuchman, Maurice. American Sculpture of the Sixties, Los Angeles: Los
Angeles County Museum of Art, 1967
Selz, Peter. Funk, Berkeley: University of California Art Museum, 1967
Los Angeles Now, London: Robert Fraser Gallery,1966
Contemporary American Sculpture: Selection 1, New York: Whitney Museum
of American Art, 1966
Selection 1964, Boston: Institute of Contemporary Art, 1964
Pop, etc. etc. etc. etc. etc. etc. etc. etc., Vienna: Museum des 20.
Jahrhunderts, 1964
Annual Exhibition 1964: Contemporary American Sculpture, New York: Whitney
Museum of American Art, 1964
Fifty California Artists, New York: Whitney Museum of American Art,
1962
Seitz, William C. The Art of Assemblage, New York: The Museum of Modern
Art, 1961
Contemporary American Painting and Sculpture, Urbana: Krannert Art Museum,
University of Illinois, 1961
Seventy-Eighth Annual Painting and Sculpture Exhibition of the San Francisco
Art Association, San Francisco: San Francisco Museum of Art, 1959BOOKS:
American Visionaries, Selections from the Whitney Museum of American
Art Abrams Distribution of Whiney Museum publication, 2002. 336 pgs.
Page 77 with illustration of "Portrait of Allen Ginsberg".
Unknown Quantity, Paul Virilio: Catalog for Exhibition at Fondation
pour l’art contemporain, 226 pgs. Thames & Hudson. Illus.
= CROSSROADS and A MOVIE photo of underwater Atomic Bomb Test at Bikini
Atoll.
L’Image En Mouvement: 25 ans d’activite pou la defense du
cinema comme art visuel. Archives du Film Experimental D’Avignon.
2003 189 pages. Illus. Of A MOVIE and REPORT. Documentation of programming.
Local Color: The diRosa Collection of Contemporary California Art, Chronicle
Books, 1999
The American Art Book, Phaidon Press, 1999
Albright, Thomas. Art in the San Francisco Bay Area, 1945-1980: An Illustrated
History, Berkeley: University of California Press, 1985
Andersen, Wayne. American Sculpture in Process: 1930/1970, Boston: New
York Graphic Society, 1975
Ashton, Dore. American Art Since 1945, New York: Oxford University Press,
1982
Ashton, Dore. Modern American Sculpture, New York: Abrams, 1968
Barr, Alfred H., Jr. Painting and Sculpture in the Museum of Modern
Art, 1929-1967, New York: The Museum of Modern Art, 1977
Becker, Jurgen, and Wolf Vostell. Happenings: Fluxus, Pop Art, Nouveau
Realisme, Reinbek bei Hamburg: Rowohlt, 1965
Celant, Germano. Precronistoria 1966-69, Florence: Centro Di, 1976
Contemporary Artists, New York: St. Martin's Press, 1983
Domergue, Denise. Artists Design Furniture, New York: Harry N. Abrams,
1988
Hunter, Sam and John Jacobus. American Art of the 20th Century, New
York: Harry N. Abrams, 1973
Janis, Harriet, and Rudi Blesh. Collage: Personalities, Concepts, Techniques,
Philadelphia: Chilton, 1967
Jencks, Charles and Nathan Silver. Adhocism: The Case for Improvisation,
Garden City, NY: Doubleday, 1972
Kultermann, Udo. The New Sculpture: Environments and Assemblages, New
York: Praeger, 1968
Kultermann, Udo. The New Painting, New York: Praeger, 1969
Lippard, Lucy R. Pop Art, New York: Praeger, 1966
Lucie-Smith, Edward. Late Modern: The Visual Arts Since 1945, New York:
Praeger, 1969
Lucie-Smith, Edward. Movements in Modern Art Since 1945, New York: Thames
and Hudson, 1984
Mendelowitz, Daniel M. A History of American Art, New York: Holt, Rinehart
and Winston, 1970
Orr-Cahall, Christina, ed. The Art of California: Selected Works from
the Collection of the Oakland Museum, Oakland, CA: Oakland Museum, 1984
Osborne, Harold. Abstraction and Artifice in Twentieth-Century Art,
Oxford: Clarendon Press, 1979
Osborne, Harold, ed. The Oxford Companion to Twentieth-Century Art,
Oxford: Oxford University Press, 1981
Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast, New
York: Praeger, 1974
Restany, Pierre. Le Nouveau Realisme, Paris: Union Generale d'Editions,
1978
Rose, Barbara. American Art since 1900: A Critical History, New York:
Praeger, 1967
Rubin, William, ed. "Primitivism" in 20th Century Art, New
York: Museum of Modern Art, 1984
Sammlung Hahn, Vienna: Museum Moderner Kunst, 1979
San Francisco Museum of Modern Art: The Painting and Sculpture Collection,
New York: Hudson Hills Press, 1985
Sandback, Amy Baker, ed. Looking Critically: 21 Years of Artforum Magazine,
Ann Arbor: UMI Research Press, 1984
Schiff, Gert. Images of Horror and Fantasy, New York: Abrams, 1978
Selz, Peter. Art in our Times: A Pictorial History 1890-1980, New York:
Abrams, 1981
Wallis, Brian, ed. Art after Modernism: Rethinking Representation, New
York: New Museum of Contemporary Art, 1984
Wilmerding, John. American Art, Harmondsworth: Penguin Books, 1976
Who Was Who in America, Chicago: Marquis Who's Who, vol. 5, 1973
Who Was Who in American History--Arts and Letters, Chicago: Marquis
Who's Who, 1975
PUBLIC COLLECTIONS:
Museum of Modern Art, New York
Whitney Museum of American Art, New York
National Gallery of Art, Washington D.C.
Rose Art Museum, Brandeis University, Waltham, Massachusetts
San Francisco Museum of Modern Art
Los Angeles County Museum of Art
University Art Museum, Berkeley
Rockhill Nelson Gallery, Kansas City, Missouri
Addison Gallery, Andover, Massachusetts
Worchester Art Museum, Worchester, Massachusetts
Sheldon Memorial Art Gallery, University of Nebraska
St. Louis Art Museum
Norton Simon Museum, Pasadena, California
Netherlands Film Museum, Amsterdam
Musee National d'Art Moderne, Centre Pompidou, Paris
Oakland Museum, Oakland, California
Wichita Art Museum, Kansas
Achenbach Foundation, San Francisco
Guggenheim Museum, New York
Indiana University Art Museum, Bloomington
University of Arizona Museum of Art, Tucson.
Yale University, New Haven, Connecticut
Art Institute of Chicago, Chicago, Illinois
University of New Mexico Art Museum, Albuquerque
Joslyn Art Museum, Omaha, Nebraska
Hirschhorn Museum and Sculpture Garden,Washington D.C.
Steinberg Gallery, Washington University, St. Louis, Missouri
Elder Art Gallery, Nebraska Wesleyan University, Lincoln, Nebraska
Richard Nelson Gallery, University of California, Davis
Museum of Art and Architecture, University of Missouri, Columbia Missouri
Princeton University Art Museum, Princeton, New Jersey
National Museum of American Art, Washington D.C.
Museum Moderner Kunst, Vienna, Austria
Newport Harbor Art Museum, Newport Beach, California
Museum of Contemporary Art, Los Angeles
Walker Art Center, Minneapolis, Minnesota
La Jolla Museum of Contemporary Art, La Jolla, California
de Saisset Museum, University of Santa Clara, Santa Clara, California
Musee Moderna, Stockholm, Sweden
Museum of Contemporary Art, Chicago, Illinois
Laguna Art Museum, Laguna Beach, California
Denver Art Museum , Dinver, CO
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